Isithombe sikaNorberto Aníbal Napolitano, owaziwa kakhulu ngokuthi I-Pappo noma "i-El Carpo"Unendima enkulu emlandweni we-rock yolimi lwesiSpanishi. Njengomculi wegitare odabukisayo, umqambi wezingoma ngokwemvelo, umculi onezwi elihlabayo, kanye nomlingiswa womakhelwane ongahluziwe, waba uphawu lwe- I-blues yase-Argentina, i-hard rock, kanye ne-heavy metalImpilo yakhe iyinhlanganisela yethalente elikhulu, umsebenzi odinga ukunakwa, ukudlula ngokweqile, izithuthuthu, izimoto, kanye nokuvumelana okunonya nendlela yakhe yokuqonda i-rock.
Kusukela kumaseshini akhe okuqala e-jam esemusha eBuenos Aires kuya ekudlaleni njengesimenywa se- I-BB King eMadison Square GardenKusukela esikhathini sakhe namaqembu adumile afana neLos Abuelos de la Nada, iLos Gatos, iPappo's Blues, iAeroblus, kanye neRiff, umsebenzi wakhe cishe ufana nemephu efanayo yokuvela kwe-rock yase-Argentina. Futhi yize ukufa kwakhe engozini yesithuthuthu kwashiya isikhala esikhulu, ithonya lakhe lihlala kuwo wonke umculi wegitare onesibindi sokulwa nomculo onzima noma i-soulful blues solo.
Ubuntwana, umndeni kanye nokuxhumana kokuqala nomculo
UNorberto Aníbal Napolitano wazalwa ngo I-10 March ka-1950 eVilla General Mitre, edolobheni laseBuenos Aires, ekhaya lomndeni e-Artigas Street ngo-1917. Wayengumfowabo omncane kaCarlos, owashona ngaphambi kokuba azalwe, futhi ULiliana Napolitano, upiyano wamakhonsathiahlala naye ekamelweni ngesikhathi sobusha bakhe. Uyise wayengumenzi wensimbi kanti unina wayengumbhali nembongi; ingxubevange ubuciko, indawo kanye nokuzwela kobuciko okwabumba ubuntu bakhe.
Kulelo gumbi lapho ayelala khona nogogo wakhe nodadewabo kwakukhona upiyano, futhi yilapho aqala khona ukumunca umculo weklasikhi: uSchubert, uLiszt, uBeethoven, uStravinsky, uBachAkazange athole ukuqeqeshwa komculo okusemthethweni, kodwa leyo ndawo yomculo yamenza waba nendlebe ebukhali kanye nelukuluku lokuphila kwakhe konke. Esikoleni, wafunda imiqondo ethile yomculo eyisisekelo futhi wethulwa ezinganekwaneni okokuqala ngqa, yize azothola ngokushesha ukuthi ubizo lwakhe lwangempela lwalukwenye indawo.
Wathola isiginci sakhe sokuqala ngesikhathi esemncane kakhulu iminyaka 8Ngasekupheleni kweminyaka yama-1950, wathatha izifundo futhi waqala ukuthanda kakhulu insimbi yomculo. Eminyakeni eminingi kamuva, wayekhumbula, ngendlela yakhe engavamile, ukuthi enye yamagitare kagesi okuqala awake wawaphatha "yayibolekwe" kumakhelwane: wayithatha ethembisa ukuyikhokhela, wathuthela kwenye indawo, futhi akaphindanga wambona. Lolu hlobo lwezindaba zembula uPappo osemusha, onesihluku, futhi othakazelisayo ngokuphelele. ngimangazwe yigitare kagesi.
Ushintsho olukhulu lwafika lapho ezwa emsakazweni Little RichardLawo mandla amshukumisela ngokuphelele e-rock. Wathenga isiginci sakhe sokuqala sikagesi esine-amplifier, futhi kwakungekho ukubuyela emuva. Ngesikhathi esifanayo, ngamarekhodi afika eBuenos Aires ngengozi, wazicwilisa kakhulu i-blues kanye ne-Anglo-Saxon rockUJimi Hendrix, u-Eric Clapton, uBB King, uMuddy Waters… bonke baba “isikole” sakhe sangempela.
Amabhendi asekuqaleni: i-Los Buitres, i-Engranaje nesigcawu sePlaza Francia
Esemusha, uPappo wathatha izinyathelo zakhe zokuqala ezinkulu ngokwakha iqembu lakhe. Wasungula iLos Buitres eneminyaka eyi-16 ubudala.Ibhendi yakhe yokuqala, noMiguel Laise kuma-drums (umzala wakhe odlala i-upholsterer), uTito “Milanesa” (Alberto La Rosa) oculayo kanye ne-guitar, kanye noBeto (Humberto E. Marinucci) ocula i-bass kanye ne-vocals. Kwakuyibhendi yomakhelwane, kodwa lapho waqala ukuzama ama-riff, ama-solo, kanye nomsindo owawusuvele usuka esigqini esithambile waba i-rawer ne-bluesier.
Kamuva yayizofika IGearLeli qembu lalinoTito Milanesa oculayo, uPino odlala izigubhu, uBocón odlala isiginci, kanye noBeto odlala ibhesi. Nakuba iqembu labaculi lahlala isikhathi esifushane ngenxa yokushintsha kwamalungu, kwaba yinto ebalulekile kuye ukucula bukhoma nokuqinisa ubuwena bakhe bomculo. Ngesikhathi esifanayo, waqala ukucula njalo. Isikwele saseFrance, esinye sezikhungo zemizwa zenhlangano yama-hippie eBuenos Aires, lapho kwakushintshwana khona amarekhodi, kwahlelwa amaseshini e-jam futhi kwahlangana abaculi bazo zonke izinhlobo.
Kwakungenxa yalezi zingxoxo lapho athola khona ama-albhamu ayisisekelo, njenge- "Ama-Blues Breakers no-Eric Clapton"okwamthusa kakhulu futhi kwaqinisekisa isinqumo sakhe: indlela yakhe yayizoba nzima, iqondile, futhi ingenakuyekethisa. Udumo lwakhe phakathi kozakwabo lwaqala ukukhula ngenxa yekhono lakhe lokwenza kanjalo. ukukopisha ama-solo kaClapton noma kaHendrix ku-guitar yakudala eshaya kakhulu, into ofakazi abaningana bangaleso sikhathi abayikhumbula ngokumangala.
Phakathi naleyo minyaka wayesebenza njengo umculi ophambili weqembu lase-Uruguay i-Los IracundosLapho, waqala ubuhlobo noLeonardo Franco, umdlali wegitare oholayo weqembu, owamnika izifundo zakhe zokuqala zegitare kagesi ezihlelekile. Ukuhlanganiswa kobuhlakani basemgwaqweni, ukuzijwayeza ngokweqile, kanye nothisha onolwazi kwathuthukisa ubuchwepheshe bakhe kanye nokuba khona kwakhe esiteji.
Los Abuelos de la Nada, Los Gatos kanye nokuxhumana noManal
Maphakathi no-1967, uMiguel Abuelo wayehlanganisa uhlu lokuqala lwabadlali abadumile. Ogogo Nomkhulu Bokungabi NaluthoIsikhundla sokuba ngumdlali wegitare ekuqaleni sasihloselwe uClaudio Gabis, kodwa njengoba ayengenakukwazi ukujoyina unomphela ngenxa yokuzinikela kwakhe kuManal, uPappo wathatha indawo yakhe. Noma kunjalo, bobabili baqopha izingxenye zegitare zengoma yokuqala yeqembu, equkethe izingoma ezithi "Diana divaga" kanye nethi "Tema en flu sobre el planeta." UPappo wadlala ohlangothini lwe-B, kanti uGabis wayephethe uhlangothi lwe-A.
UPappo uphinde waqopha zonke izingxenye zesiginci zengoma yesibili, equkethe i-“Estoy aquí parado, sentado y acompañando” kanye ne-“Lloverá” yezinsimbi zomculo. Kodwa-ke, lawa maculo ahlala engakhishwa kwaze kwaba ngu-1996, lapho abonakala khona ku-albhamu yokuhlanganiswa. "Iminyaka engama-30 ye-rock yesizwe"Esitatimendeni sabezindaba se-CBS sango-1968, isidlaliso sakhe saqala ukuvela sibhalwe ngokuthi “Papo,” kanye nenombolo eyodwa. Ngokuhamba kwesikhathi, igama lesibizo lahlanekezelwa kwaze kwaba yilapho liba isitayela "i-Pappo" okwakuzomenza adume.
Isigaba sokuqala se-Los Abuelos de la Nada sathatha isikhathi esingaphansi konyaka. Ibhendi yahlakazeka ngokwengxenye ngenxa yokukhungatheka kukaMiguel Abuelo lapho ilebula yokurekhoda ifinyeza i-"Diana divaga" ukuze iphumelele kakhulu kwezentengiselwano. UMiguel wathuthela eSpain, kwathi uPappo waqhubeka neqembu isikhashana, eliqondisa kakhulu... bluesPhakathi naleso sikhathi waqamba futhi waqopha ingoma ye-blues ethi "La Estación," engakhishwanga kwaze kwaba yilapho ifakwa ku-albhamu yokuhlanganiswa. “I-Mandioca Underground”.
Ngemva nje kwalokho, indlela yakhe yahlangana neka ManalEhlobo lika-1969, eMar del Plata, iqembu labathathu (uJavier Martínez, u-Alejandro Medina, noClaudio Gabis) bammema ukuba abe ngumculi ovamile ovakashile kule sizini. UPappo wadlala isiginci nopiyano, waze wabamba iqhaza ekuqopheni umculo wefilimu ethi "Tiro de gracia," eshaya izintambo zopiyano ukuze kube nesigcawu esifana nephupho. Lesi sikhathi asichitha noManal saqinisa ubuhlobo bakhe neqembu. I-Buenos Aires blues.
Phakathi naleso sikhathi, uJorge Álvarez, owayengumkhiqizi obalulekile ngaleso sikhathi, wamkhuthaza ukuba azame okuthile eyedwa. Phakathi nemihlangano ye-albhamu yokuqala kaManal, wasikisela ukuqopha ithrekhi, esebenzisa isikhathi esikhululekile sesitudiyo. Yileyo ndlela “Ngeke bazi"(1968)," lapho uPappo ehlabelela futhi edlala khona upiyano, ephelezelwa uLuis Alberto Spinetta, u-Edelmiro Molinari, uRodolfo García, noPomo. Kamuva ithrekhi yafakwa ekuhlanganisweni “Ake sicele amapheya kuMandioca” futhi kwakungenye yezincwadi zokuqala lapho uPappo avele khona njengomholi.
Amakati kanye nekhwalithi ephezulu
Lapho indawo yokushicilela edumile i-La Cueva ithuthela e-Avenida Rivadavia, uLitto Nebbia, umholi we Los GatosWayevame ukudlala lapho. Ngobusuku obunye ngo-1969, uPappo wamcela ukuba ajoyine naye esiteji, futhi ukudlala kwakhe kwadonsa ukunaka kwawo wonke umuntu. Ngemva nje kwalokho, kwavunyelwana ngokuthi uzojoyina iLos Gatos ukuze athathe indawo yomdlali wegitare uKay Galifi, owayethuthele eBrazil. Amanye amalungu aya e-United States ukuyothenga imishini, kwathi lapho ebuya, ahlangana naye ngokusemthethweni: umdlali we-bass u-Alfredo Toth wamnika i- Igitare likaLes Paul okwakuzoba umsindo wakhe oyinhloko.
Ekanye neLos Gatos, uPappo waqopha wonke ama-solo esiginci kuma-albhamu “Isigqi No. 1” (1969) y "Idwala Lowesifazane Olahlekile" (1970)Leyo nto yayinomsindo onzima kunezingoma ezirekhodiwe ngaphambilini zeqembu. UNebbia waphatha zonke izingoma futhi wanezela namagitari esigqi ngoba uPappo wayengakawazi kahle ama-chord athile, kodwa ukwakheka kwawo kwakukuhle kakhulu futhi isimo ngesikhathi semihlangano sasi... ubungane nokuthola.
Ngesikhathi sokuvakasha neLos Gatos, uPappo wayesebenzisa isikhathi sakhe samahhala ukuze adlale ezindaweni ezifana ne- I-Equinox, eMar del PlataEceleni kukaBlack Amaya, wadlala izingoma zikaJimi Hendrix, uCream, kanye neSpencer Davis Group. Lokhu kuphila okuphindwe kabili—ibhendi ephumelele kakhulu ngakolunye uhlangothi, ama-heavy blues jams ngakolunye—kwabumba ubuyena bakhe bomculo. Ngemva kokuvakasha eSpain kanye nochungechunge lwamakhonsathi eGran Rex, iLos Gatos yahlakazeka, kwathi uPappo wanquma ukuthatha isinyathelo esilandelayo: bakha iqembu labo.
I-Pappo's Blues: amandla alaba abathathu
Eqhutshwa nguJorge Álvarez, uPappo wahlanganisa ekuqaleni kwawo-70 iphrojekthi eyayizomenza abe yinganekwane: UPappo's BluesUhlu lokuqala lwaqedwa ngoDavid Lebón ku-bass kanye noBlack Amaya kuma-drums. I-albhamu yabo yokuqala, ethi “Pappo's Blues Volume 1” (1971), yayihlanganisa izingoma ezifana nethi “Something Has Changed,” “Where Is Freedom?,” “The Suburban Man,” kanye nethi “The Old Man,” ezazivele zibonise i-cocktail ka- ama-dense blues, i-heavy rock kanye namagama ezingoma zasedolobheni.
Phakathi kuka-1971 no-1978 baqopha ama-albhamu ayisikhombisa, benohlu olushintshayo kodwa njalo noPappo ehola. Umqulu 2 Waqokomisa i-“Desconfío” yakudala, lapho adlala khona upiyano, kanye ne-“Tren de las 16,” equkethe idrama eyedwa ekhumbulekayo kaLuis Gambolini. Ngo-1973, i- Umqulu 3Njengoba abaningi beyibheka njengomsebenzi wakhe wobuciko, inezingoma ezifana nethi “Dirty and Untidy,” “Faces in the Park,” kanye nethi “Sandwiches de miga.” Umqulu 4 Bese kuthi i-“Triángulo” (Umqulu 5) ibonise uhlangothi lokuhlola kakhulu, nezivakashi ezinjengoLeón Gieco ku-“El buzo”.
Phakathi naleso sikhathi, uPappo wahlanganyela ngenkuthalo endaweni yomculo yangaleso sikhathi: waqopha amathrekhi esiginci kuma-albhamu okuqala ka- UBilly Bond kanye ne-Rock and Roll HeavyweightsWajoyina uPedro y Pablo engomeni ethi “Blues del éxodo” futhi wabambisana ku-albhamu kaDavid Lebón eyedwa, lapho, ngaphezu kokudlala upiyano ku-“32 macetas,” wasiza ekuqambeni izingoma. Waphinde wabonakala kanye ne-Pappo's Blues kule filimu. “Dwala kuze kushone ilanga”, ifilimu ebalulekile ku-rock yase-Argentina.
Phakathi nale minyaka, uPappo noLuis Alberto Spinetta balondoloza ubudlelwano obuqinile nobuyinkimbinkimbi. Basebenzisana kule albhamu. "USpinettalandia nabangani bakhe"lapho uPappo anikela khona ngezingoma ezifana ne-“Castillo de piedra” kanye ne-“Era de tontos” futhi ndawonye bakha iqembu lama-Agresivos amathathu. Kodwa-ke, ukungafani kobuhle nobuntu kwaholela ekuhlukaneni nasekucasukeni komunye nomunye, okwancipha kancane kancane ngokuhamba kwesikhathi. Emashumini eminyaka kamuva, uPappo wayezama ukumema uSpinetta ukuthi ahlanganyele ku-“Pappo & Amigos,” kodwa umhlangano awuzange uphumelele.
I-Aeroblus kanye nohambo oluya eNgilandi naseBrazil
Maphakathi nawo-70s, ngemva kokurekhoda i-“Triángulo”, u-Pappo wahamba waya E-England Okwesibili, wasebenza njengomshini wokuwasha izitsha, waphila nganoma iyiphi indlela ayengaphila ngayo, futhi wathola iphansi elalisebenza njengendawo yokuzijwayeza, lapho ahlala khona ukuze agcine indawo ihlanzekile. Lapho wabona ukwakheka kweqembu elabizwa kamuva ngokuthi UMotörhead futhi waxhumana nabaculi abafana noLemmy Kilmister kanye namaqembu e-hard rock kanye ne-heavy metal angaleso sikhathi.
Ngo-1976, emuva eNingizimu Melika, u-Alejandro Medina wammema eBrazil ukuyofuna umdlali wezigubhu bese esungula iqembu elisha le-heavy metal. Bathola ukuthi wayengumuntu odumile. URolando Castello Junior futhi yazalwa kanjalo I-Aeroblus ekuqaleni kuka-1977. Leli qembu laqala ukusebenza ngoJanuwari 6 walowo nyaka ePremier Theater eBuenos Aires futhi, nakuba ekuqaleni bathola ukugxekwa ngokuthi “akukho ukuzilolonga” okwakucatshangwa, bashesha balungisa umsindo wabo futhi bathola inhlonipho yesigcawu esinzima kakhulu.
NgoMeyi 1977 bangena estudiyo ukuyoqopha i-LP yabo kuphela, “I-Aeroblus"," i-albhamu ehlanganisa umculo we-rock osindayo kanye nowe-power trio ngesitayela se-Pappo's Blues, kodwa ngendlela enamandla kakhulu. Ukubambezeleka kokukhishwa kwe-albhamu kanye nokucindezelwa ngamaphoyisa okuvela kuhulumeni wobushiqela wezempi kwadumaza umshayi wesigubhu, owanquma ukubuyela eBrazil. Kwakukhona umzamo wokuvuselela lo msebenzi ngo-1978 noClaudio Pesavento kumakhibhodi noGonzalo Farrugia kuma-drum, kodwa akwenzekanga.
Eminyakeni edlule, leyo albhamu, eyayingaqashelwa ekuqaleni, yashintsha yaba yi-classic yeqembu futhi Yayinethonya elikhulu ku-hard rock yase-Argentina kanye ne-heavy metal.Abaculi abaningi bezizukulwane zakamuva bakhomba kuye njengesisekelo somsindo we-heavy metal kazwelonke.
Ukubuya kwe-Pappo's Blues, iYurophu kanye nokuzalwa kukaRiff
Ngemva kokuhlangenwe nakho kwe-Aeroblus, uPappo wabuyela emsebenzini wakhe oyinhloko. Ngasekupheleni kweminyaka yama-70 waqopha Umqulu 7 we-Pappo's Blues Ngokuhambisana no-Alejandro Medina kanye no-Darío Fernández, baphinde baqopha ezakudala njengokuthi “El hombre suburbano”, “Gris y amarillo”, “El viejo” kanye “Hay tiempo para elegir”, futhi bengeza izinsimbi ezintsha ezifana ne-“El jugador” nethi “Detrás de la iglesia”. Bethule i-albhamu e-Teatro Estrellas base beqhubeka nokuvakasha beshintsha i-lineups.
Phakathi naleso sikhathi, uPappo waze waphinde wavakashela eYurophu neqembu, kodwa lapho ebuya kwaqala ukwakheka umqondo ohlukile: Ukuletha ubuluhlaza be-hard rock kanye ne-heavy metal phambili, ngobuhle obuqondile, obuhamba emgwaqweni, nobunolaka kakhuluPhakathi nezinsuku ezimbalwa eRosario noVitico noCarlos Cohen, baxoxa ngokushintsha igama labo nokuthuthukisa umqondo omusha ekamelweni lehhotela. Ngokwengeza umshayi wezigubhu uMichel Peyronel, owayebuya eFrance, uhlelo lwaqala ukusebenza.
Ngomhlaka-14 Novemba 1980, umbukiso othi “Sala kahle Pappo's Blues, Siyakwamukela RiffBaqale badlala njenge-Pappo's Blues, base bejoyina uBoff ku-rhythm guitar kanye noJuan García Haymes ekuculeni. Umqondo wokuqala kwakuwukuthi uHaymes abe ngumculi oholayo, kodwa izilaleli azizange zikwamukele lokho, futhi uhlu lwahlelwa kabusha ukuze uPappo akwazi ukuqhubeka nokucula kabusha.
Njengoba uPappo edlala isiginci kanye nezwi, uVitico edlala ibhesi kanye nezwi, uMichel Peyronel edlala izigubhu kanye nezwi, kanye noBoff edlala isiginci sesibili, kwazalwa. I-Riff, ibhendi eyashiya uphawu olungenakucimeka kumculo we-heavy metal wase-Argentina ngawo-80.
I-Riff: amasondo ensimbi, i-Macadam kanye nokuqhuma kwensimbi esindayo
Ngo-1981 uRiff wakhipha i-LP yakhe yokuqala, “Amasondo Ensimbi”ngokusebenzisa ilebula le-Tonodisc. Le albhamu, nakuba yayinomsindo we-studio ongahluziwe, yayihlanganisa amathrekhi aba yizingoma zomculo: “Ruedas de metal” (Metal Wheels), “No detenga su motor” (Don't Stop Your Engine), kanye ne-“Necesitamos más acción” (We Need More Action), phakathi kwezinye. Naphezu kwemingcele yayo yobuchwepheshe, le albhamu yathola ukudlala okuhle emoyeni futhi yamukelwa ngemfudumalo ngumphakathi. Yayiphinde ibe ngelinye lama-albhamu okuqala e-rock ase-Argentina ukuba nawo amavidyo kliphu.
Ngawo lowo nyaka baqala “I-Macadam 3…2…1…0…”kukhiqizwe kangcono futhi kuncane kakhulu. Phakathi kuka-1981 no-1983, uRiff wagcwalisa inkundla ye-Obras Sanitarias izikhathi eziningana, wadlalela e-Uruguay kanye nasenkundleni ye-Peñarol, futhi wazihlanganisa njengo ibhendi ye-heavy metal ebaluleke kakhulu ezweniBaphinde bahlanganyela ngo-1982 UMkhosi Wobumbano WaseLatin America phakathi kwengxabano yaseFalklands, lapho uPappo ajoyina khona njengesimenywa ukuzodlala i-"Beer Party".
NgoNovemba 1982 bacula e-BA Rock, kwathi ekuqaleni kuka-1983 banikeza amakhonsathi omlando e- UMkhosi we-La FaldaKodwa-ke, isimo sobudlova nokucindezelwa ngaleso sikhathi saqala ukuxubana nolaka lwezethameli. Ngesikhathi semibukiso kaRiff, kwaqubuka izehlakalo, ukucekelwa phansi kwempahla, kanye nokulwa, okwasetshenziswa ngamaphoyisa njengethuba "lokuzingela abathakathi" bangempela kubalandeli be-heavy metal.
Ngo-1983 baqopha i-albhamu ebukhoma ephindwe kabili ethi “I-Riff iyasebenza"e-Obras. Naphezu kwezinga eliphezulu lethalente leqembu, ukusebenza kwamaphoyisa kwakushubile: kwaboshwa amashumi amaningi, futhi kwaqinisa idumela leqembu ngokuba "yingozi." Ekupheleni kwalowo nyaka, ikhonsathi kaRiff eFerro, ngaphansi kwesiqubulo esithi "uRiff uqeda unyaka ngaphandle kwezibopho," yaphetha nangezehlakalo ezinkulu kanye nomonakalo wempahla, okwadingeka ukuthi ibhendi iwukhokhele ngokwezimali."
Ngenxa yazo zonke lezi zizathu, uRiff wanquma ukuhlukana ngemva kohambo ogwini lwase-Atlantic. UPappo waqhubeka nokwenza umculo eyedwa e-Obras, okwaholela ekukhishweni kwe-albhamu ebukhoma. “UPappo ekhonsathini” (1984), ephelezelwa uBoff, u-Enrique Avellaneda noJuan Espósito.
Uhlelo Olubi, uMenzi Womfelokazi kanye nesiteji samazwe ngamazwe
Maphakathi nawo-80s, uPappo waphinde wahamba waya Brasil futhi bahlangana noRolando Castello Junior, aqopha naye amagitare e-albhamu yeqembu laseBrazil. Ukuqapha IsikhalaNgo-1985 uRiff wabuya namaqembu amasha (neJAF no-Oscar Moro ezigabeni ezahlukene), egcwalisa i-Obras futhi ekhipha ama-albhamu afana ne-“Riff VII” kanye ne-albhamu ebukhoma ethi “Riff 'N Roll”, eqoshwe endaweni yePaladium ngo-1986.
Ngo-1987 uPappo wakhipha i-albhamu yakhe yokuqala esayinwe ngegama lakhe njengesihloko sayo esiyinhloko, "Icebo likaSathane"Ngaphansi kwegama elithi Pappo noHoy no es Hoy (Today is Not Today), wayephelezelwa uBoff esigincini sesibili, uJuan “Locomotora” Espósito ezigubhuni, kanye noRR esigincini sebhesi. Lo msebenzi wawuhloselwe i- i-heavy metal ehambisana nesitayela sikaVan Halen, ngokuqopha iminwe okusheshayo kanye nama-riff esimanje, kodwa ayizange ithole ukwesekwa okukhulu emoyeni noma kwezohwebo ngaleso sikhathi.
Ngemva nje kwalokho, uPappo waya e- United States ukwakha iqembu elisha, Umenzi Womfelokazi (noma iWidowmakers). Wahlala eLos Angeles, waqoqa abaculi bendawo, wavakashela amadolobha angaba ngu-24 ase-US, ngaphezu kokudlala eNingizimu Melika. Naphezu komzamo, lo msebenzi awuzange ufeze ukuqhubeka okwakufunwa, futhi amalungu awo agcina ebuyele e-US, kwathi uPappo wabuyela e-Argentina ukuyosiza ebhizinisini lokulungisa izinto zomndeni. Abafowethu baseNeapolitanngoba isimo sabo sezomnotho sasicindezela.
Okwesikhashana, kwadingeka ukubeka umculo eceleni ukuze ugqoke ama-overall bese usebenza njengomakhenikaInto eyayihlala ihamba naye njengenye yezinto ayezithanda: izimoto, izithuthuthu, konke okwakungokwamashini. Kodwa, njengoba kwakulindelekile, akuzange kuthathe isikhathi eside ukuthi abuyele esiteji.
I-Local Blues, ukubambisana ne-BB King kanye nokugcotshwa kwayo
Ngo-1992, ngelebula iRadio Tripoli, uPappo wakhipha "I-Blues Yasendaweni", enye yama-albhamu adumile kakhulu emsebenzini wakhe. Nakuba igama elithi “Pappo's Blues Local” esembozweni lingase lidide, libhekwa njengeliyi-albhamu edumile kakhulu. umsebenzi wedwaI-albhamu ihlanganisa inguqulo emangalisayo ye-“Casa con diez pinos” (ingoma kaJavier Martínez, kaManal) kanye, ngaphezu kwakho konke, i-“Mi vieja”, ingoma ka-Eduardo Frigerio noSebastián Borensztein, eyaqoshwa ekuqaleni ohlelweni lukaTato Bores futhi eyagcina iwumculo wabo wokuqala odumile. impumelelo enkulu njengomculi ozimele.
Ukuqoshwa kwakubonisa ubuso obujwayelekile: uBlack Amaya kuma-drums, uYulie Ruth kuma-bass, u-“Pato Lucas” Frasca kuma-keyboard, uLuis Robinson kuma-harmonica, uVitico, uJavier Martínez, u-Alejandro Medina, noJuanse, phakathi kwabanye. Kwakukhona impikiswano ethile yangaphakathi ngoba i-“Mi vieja” ekuqaleni yayihloselwe ukuba yingoma ebhonasi, kodwa ilebula yanquma ukuyibeka njengengoma yesibili, into uPappo ayengajabule ngayo, yize umphakathi wayivuma ngokushesha.
Ngawo lowo nyaka, iPappo's Blues yavulwa BB King Ngesikhathi evakashele e-Argentina, iNkosi yamaBlues yahlabeka umxhwele ngalo mdlali wase-Argentina futhi yammema ukuba azodlala naye ekupheleni kombukiso. Ngemva konyaka, ngo-Agasti 10, 1993, uBB King wamethula e-Argentina. Ingadi yaseMadison Square eNew York “njengesivakashi esikhethekile esivela e-Argentina, uPappo, omunye wabaholi emhlabeni.” Ukusuka lapho babelane ngamadethi amaningana ohambweni lokuzuzisa iChicago House of Blues.
Phakathi naleso sikhathi e-United States, uPappo wasungula iqembu langempela le-blues kanye UDeacon Jones, uRon Maldonado, uKen Bowie noMichael ParkerIngxenye yalezo zenzo iqoshwe ku-albhamu ebukhoma. “UPappo usaphila” (1994), eyabamba amandla akhe aphilayo ngokuxuba izingoma zakudala ezivela ku-repertoire yakhe nezindinganiso ze-blues.
Ikesi Livaliwe, Imoto Ebomvu kanye nePappo nabangani
Ngo-1995 waphinde wasebenzisa igama elithi Pappo's Blues ukuqopha i-albhamu ethi Umqulu 8, “Icala Livaliwe”lapho inguqulo yabo ethi "Route 66" yayiphawuleka kakhulu. Ngawo lowo nyaka, uRiff waphinde wabonakala isikhashana, waze wavula iRolling Stones futhi wadlala emcimbini weRock & Horses. I-albhamu ebukhoma ethi "Riff en vivo – En La Plata" (eqoshwe ngo-1995) yakhishwa, kwathi kamuva, ngo-1997, baqala i-albhamu yabo yesitudiyo. “Makube yidwala”, enye ingxenye ebalulekile yedwala elisindayo lesizwe.
Ngo-1999, ngohlu oluzinzile lukaYulie Ruth ku-bass noGustavo “Bolsa” González kuma-drums, kwakhishwa i-Pappo’s Blues. "Imoto Ebomvu" ngokusebenzisa ilebula elizimele iDe la Buena Estrella. I-albhamu, eqoshwe esitudiyo sika-“Pichón” Dal Ponte, yaba nomthelela omkhulu futhi yafinyelela isikhundla seGold Record ngokudlula amakhophi angu-30.000, into ephawulekayo ngesimo senkinga embonini yomculo.
Lelo lebula elifanayo cishe ngokushesha laqala iphrojekthi enkulu: "Pappo nabangani"UPappo wabeka umbandela owodwa kuphela: “Sizokwenza, kodwa nabangani kuphela.” Yaqoshwa phakathi kukaDisemba 1999 noMashi 2000 ezitudiyo zaseDel Abasto al Pasto, kanye izingoma ezingaphezu kuka-40 kanye nohlu lwezivakashi oluhlaba umxhwele: La Renga, Almafuerte, La Mississippi, Viejas Locas, Divididos, Moris, Andrés Calamaro, Ricardo Iorio, Adrián Otero, Andrés Ciro, Alejandro Medina, Omar Mollo, Vicentico, ANIMAL, Flavio kanye nendodana yakhe uLuciano, phakathi kwabanye abaningi.
I-albhamu ephindwe kabili ithengiswe amakhophi angaphezu kuka-45.000 phakathi kwesinye sezinkinga zomnotho ezimbi kakhulu e-Argentina, lapho ukuphangwa kwe-albhamu nokulandwa kwe-MP3 kwakudlangile. Kwabaningi, i-"Pappo & Amigos" yayiyi-" inhlonipho ngesikhathi esaphila emsebenzini wakhe kanye nokuqinisekiswa kokuthi, ngaphakathi kwe-rock yase-Argentina, cishe wonke umuntu wayenesikweletu kuCarpo.
Ngifuna uthando, iminyaka yamuva nje kanye neCosquín Rock
Ngo-2003, uPappo wakhipha okwakuzoba yi-albhamu yakhe yokugcina yesitudiyo ngesikhathi esaphila, "Ngifuna uthando"Ishicilelwe yi-Sony Music, le albhamu yayihlanganisa izingoma ezazizoba yizingoma zakudala ngokushesha, njenge-“Rock and Roll y Fiebre,” “Juntos a la Par,” “Ella es un Ángel,” kanye ne-“Tribute to B.B. King,” kanye ne-“The Thrill Is Gone.” Isembozo siveza uPappo ehlezi etafuleni le-poker eceleni... UMuddy Waters, uStevie Ray Vaughan, uRobert Johnson, uJohn Lee Hooker noJimi Hendrix, bonke benamaphiko ezingelosi: isitatimende esicacile seligi ayefisa ukuba kuyo.
I-“Looking for Love” yethulwa ohambweni kulo lonke izwe, kanye nezinsuku eziphawulekayo njengombukiso e- I-Federal Capital Theatre kanye nokubonakala kuthelevishini ezinhlelweni ezifana neMar de Fondo kanye nochungechunge lomculo wekhebula njenge-CM Vivo. I-albhamu yaphinde yakhishwa ngo-2017 njenge-CD ephindwe kabili kanye ne-vinyl, okuhlanganisa ne-"Blues en el delta" eyayingakakhishwa ngaphambilini kanye nenguqulo ye-acoustic yengoma esihloko sayo.
Ekuqaleni kukaFebhuwari 2005, uPappo wenza umdlalo odumile e- ICosquin Rocklapho abelana khona isiteji noCharly García, owamjoyina kumakhibhodi e-“Desconfío de la vida”, “Popotitos” kanye ne-“Sucio y desprolijo”. Leyo khonsathi yaqoshwa, kwathi eminyakeni eyalandela, ngo-2021, yakhishwa njenge “Idwala laseVivo Cosquín”, ngamathrekhi angu-16 athwebula amandla anonya okusebenza kwabo bukhoma komunye wemibukiso yabo yokugcina emihle.
Ikhonsathi yakhe yokugcina eyedwa yenzeka ngo- I-Villa Mercedes, eSan LuisEzinsukwini ezimbili nje ngaphambi kwengozi eyamthatha impilo yakhe. Naphezu kokukhathala neminyaka eminingi emgwaqweni, waqhubeka edlala ngamandla afanayo nawasezinsukwini zakhe zokuqala.
Ingozi, ukuvalelisa kanye nezikhumbuzo
Ubusuku buka I-24 February ka-2005Ngemva kokudla isidlo sakusihlwa endaweni yokudlela, uPappo wayegibele isithuthuthu sakhe iHarley Davidson eceleni koMgwaqo Wesifundazwe 5, eduze kwaseJáuregui, esifundeni saseLuján. Indodana yakhe yayigibele ngemuva kwakhe ngesinye isithuthuthu. Luciano kanye nomalokazana wakhe. Ngokusho kombiko wamaphoyisa, izithuthuthu zadlana, uPappo wahluleka ukuzibamba, wawela eceleni kwendlela, washaywa yiRenault Clio eyayivela ngakolunye uhlangothi. Washona cishe ngokuphazima kweso, eneminyaka engu-54.
Endaweni yengozi, i-monolith enegitare yethusiokwaba yindawo yokuhambela abalandeli. Izidumbu zakhe zangcwatshwa ngosuku olulandelayo endaweni yokukhulekela yabaculi be-SADAIC eMathuneni aseLa Chacarita eBuenos Aires, phambi kwesixuku esasihlabelela izingoma zakhe ngokungayeki. Eminyakeni emibili kamuva washiswa futhi umlotha wakhe wabekwa endaweni yokukhulekelwa. Isikwele saseRoque Sáenz Peña, eLa Paternal, ngaphansi kwesikhumbuzo esakhiwe ngumqophi uVirginia Caramés.
Ngokuhamba kwesikhathi, lelo plaza kanye nendawo ezungezile kwagcwala izinkomba ngoPappo. Ngo-2011, kwavela impikiswano lapho isitolo esikhulu sisusa udonga olunikezelwe kuye, umsebenzi ka-Alejandro Amaro, owawuhlanganisa izimpawu ezivela ezingomeni ezifana ne-“El tren de las 16” (The 4 PM Train), uGibson Les Paul wakhe omnyama, iCadillac evela ku-“Susy Cadillac,” kanye nonxantathu ovela kuMqulu 5 we-Pappo's Blues. ULuciano Napolitano wahola iphrojekthi yokugcina umsebenzi wobuciko nokuqamba kabusha ngokusemthethweni le ndawo ngokuthi “Isikwele sasePappo”.
Futhi eBuenos Aires, umsakazo I-FM Rock ne-Pop Ngo-2008, wavula isitudiyo esibizwa ngegama lakhe, esikhethwe yivoti labalaleli. Ngo-2016, iMetrobús e-Avenida San Martín yavula indawo entsha ebizwa ngegama lakhe. “UPappo Napolitano”Ngo-2019, uLuciano wahlela umbukiso ojikelezayo, i-"Pappo Museum," owawunempahla yomuntu siqu yomdlali wegitare. Amarekhodi angemva kokufa aqhubeka nokukhishwa, njenge-"Juanito y el Carposaurio" (eyaqoshwa ngo-1992 noJuanse futhi yakhishwa ngo-2021) kanye ne-"Blues acústico en El Living" noBotafogo.
Imiklomelo, izimpikiswano, kanye nempilo yomuntu siqu
Kuwo wonke umsebenzi wakhe, uPappo wathola izifundo eziningana. Imiklomelo yeKonexNgo-1985 nango-1995, waqashelwa njengomdlali wezinsimbi zomculo kanye nebhendi yomculo we-rock, kwathi ngo-2005—ngemva kokufa—njengomculi we-rock solo wesilisa. Waphinde waqokwa kuma-Carlos Gardel Awards (ngamaqoqo ekhathalogi afana ne-“Pappo Live. Lives in His Friends!” kanye ne-“Pappo's Blues”) kanye nama-Martín Fierro Awards (njengomculi ophumelelayo ngokubamba kwakhe iqhaza ochungechungeni lwe-“Carola Casini,” lapho abonakala khona edlala noRiff).
Impilo yakhe yangasese yayinezikhathi ezinzima. Ngo-1973, kwazalwa indodana yakhe. Luciano Napolitanoahlangana naye eminyakeni engama-20 kamuva, into avuma yona njengenye yemiphumela yokudela cishe konke ngenxa yomculo. Engxoxweni ka-2004 ohlelweni oluthi “Tiene la palabra” (Unayo Indawo), waphawula ukuthi umsebenzi wakhe ubunzima kakhulu nokuthi wahlehlisa cishe yonke impilo yakhe yomphakathi, izifundo zakhe, kanye nokuba ngubaba ukuze azinikele ku-rock.
Kwakunempikiswano. Ngo-1986, intatheli U-Alicia Barrios Wamsola kuthelevishini, ohlelweni lwakhe i-"Noche de brujas" (Ubusuku Babathakathi), ngokuzama ukuhlasela ngokocansi okusolwa ukuthi kwenzeke eminyakeni emine ngaphambili eLuna Park. Ekhuluma emoyeni, uPappo akazange aphike icala futhi, ngesisho esingamukeleki nhlobo manje, wathi uhlale efuna ukuphinda okuhlangenwe nakho okunjalo "nabesifazane abahle kangaka." UBarrios walandisa ukuthi yena nabaculi bakhe bamgodle endlini yokugezela engaphansi kwenkundla; isiqephu esimnyama empilweni yakhe esiqhubeka nokubangela intukuthelo.
Ngokuphathelene nombono womphakathi, uPappo waziveza ngokumelene nezidakamizwa futhi kusekela isigwebo sokufaLokhu kwavusa impikiswano enkulu. Wayevame ukuphikisana ngokuthi ingane "ebhema ngethini" futhi enesibhamu ingazibulala ngaphandle kokuqonda ukuthi yenzani, nokuthi abadlwenguli nababulali kufanele babekwe esihlalweni sikagesi. Lezi zikhundla, kuhlangene nokwethembeka kwakhe okunonya, kwasiza ekuqiniseni isithombe sakhe njengomuntu ophikisanayo, kokubili esiteji nangaphandle kwesiteji.
Ngo-2011, uLuciano washicilela incwadi yomphakathi egxeka umlando kaSergio Marchi, othi "Pappo, the Suburban Man," emsola ngokuzuza ezinguqulweni ezivusa amadlingozi zokufa kukayise nokusabalalisa amanga mayelana nemininingwane engaziwa kangako yengozi. Umndeni kaPappo, ngokuvamile, ubulokhu uvikela kakhulu inkumbulo yakhe nendlela indaba yakhe elandiswa ngayo.
Amadokhumentari, ama-albhamu akamuva kanye nefa lamasiko
Ngemva kweminyaka engamashumi amabili eshonile, isithakazelo kuPappo sikhule kakhulu. Ngo-Ephreli 2025, ngesikhathi esifanayo nokugubha iminyaka engama-20 eshonile, le dokhumentari yaqala ukuboniswa e-BAFICI. “Kukhona okushintshile: Uhambo olujabulisayo oluya ebumnyameni bendawo”Iqondiswe nguSergio “Chapete” Bonacci Lapalma, ifilimu yemizuzu eyi-130 ihlola umthelela kaPappo kuma-blues aseMelika ngawo-90, ukuhlanganiswa kwakhe ne-"Blues Mafia" ka-BB King kanye neminikelo yakhe ku- i-blues ngesiSpanishi.
Idokhumentari ifaka phakathi ubufakazi obuvela kubaculi abafana no UGilby Clarke (Guns N' Roses), uCarmine Appice, uLarry McCray, uGood Time uCharlie Bretchel noMelvyn “Deacon” Jones uqobo lwakhe, owaqopha naye eLos Angeles. Ngesikhathi sokuqala, uPam Stovall Hill (umfelokazi kaDeacon Jones) kanye nomdlali wesigubhu baya eBuenos Aires. UTony ColemanUbe ngumlingani wesikhathi eside we-BB King, owanikeza amakhonsathi kanye neklasi eliyinhloko. Ingxenye yale micimbi iqoshwe ngumqondisi uJosé Celestino Campusano.
Abezindaba bendawo bachaze le filimu njengenye yezambulo ezinhle zomkhosi futhi bagcizelela ukuthi ikhombisa izindaba ezingakashicilelwa ezivela kuphrojektha yamazwe ngamazwe ngumculi wegitare wase-Argentina. Ngesikhathi esifanayo, izinguqulo, izikhumbuzo kanye nokuchazwa kabusha kwezingoma zakhe kuye kwaqhubeka nokukhishwa: izinguqulo ze-“Era de tontos” zikaWilly Quiroga noJota Salaberry, ukuchazwa kabusha kwe-“Rock and roll y fiebre” zikaJuanse kanye nemiqulu emisha efana ne-“PAPPO X JUANSE”, lapho lo mculi ephinda ebukeza khona izingoma zakudala zePappo ngamandla avuselelwe.
I-discography yakhe yaphinde yakhishwa ngezindlela eziningi: kusukela emiqulwini ye- UPappo's Blues (1 kuya ku-8, kanye ne-“The Red Car”) kuze kube yilapho kusetshenzwa khona I-Aeroblus y I-Riff (I-Metal Wheels, i-Macadam 3…2…1…0…, Okuqukethwe, i-VII, i-No Man's Land, i-Let It Be Rock kanye nohlu olude lwama-albhamu abukhoma). Ngaphezu kwalokhu, kunemisebenzi yakhe eyedwa efana nethi “Pappo in Concert”, “Local Blues”, “Pappo Is Still Alive”, “Pappo & Friends”, “Looking for Love” kanye namarekhodi aqoshwe ngemva kokufa asevele eshiwo.
Uma kuhlanganiswa, isithombe sikaPappo siyahlanganiswa Umlando wedwala eliqinile elenziwe ngesiSpanishi lisuka kwiSouthern ConeUmdlali wegitare ohlonishwa ozakwabo kanye nomphakathi, okwazi ukudlala noBB King eNew York futhi ngesikhathi esifanayo epheka amasoseji endaweni yokosa inyama yasendaweni, owavikela ngokuqina ukuqonda kwakhe i-rock. Ama-riff akhe ku-“El tren de las 16”, “Desconfío”, “Sucio y desprolijo”, “Ruedas de metal” noma “Que sea rock” ayaqhubeka nokudlala izizukulwane zabaculi, futhi njalo lapho elinye lalawo magita aphikisiwe likhala, kunzima ukungazizwa sengathi, ngandlela thile, uCarpo usekhona. Ngihlala kuzo zonke izikhulisi ezigcwele.