Ingoma yezandla Ingenye yalezo zincwadi ezimfushane, ngaphandle kokwenza umsindo, ezingena ngaphansi kwesikhumba sakho futhi zikuphoqe ukuthi ucabange kabusha ukuthi kusho ukuthini ukulalela, ukuthi kusho ukuthini ukuzwa, nokuthi ubuciko busho ukuthini ngempela. Ngendaba yabaculi abathathu baseVenezuela abayizithulu, ifilimu ivula ifasitela endaweni yonke lapho umculo ungangeni ngendlebe, kodwa ngesikhumba, ukubona, nokudlidliza, okuguqula ukuthula kube yindawo egcwele izinto ezihlukile.
Kunokuba indaba evamile yokudabuka, lo msebenzi uqondiswe ngu UMaria Valverde Kuhamba phakathi komlando oseduze, ukuzindla komphakathi, kanye nokuhlangenwe nakho okunamandla kwemizwa. Sihamba noJennifer, uGabriel, noJosé njengoba belungiselela inselele enkulu: ukwenza i-opera. UFidelioI-Symphony Yonyaka kaBeethoven, ngolimi lwezandla, ngaphansi kwenduku yomqhubi waseVenezuela odumile kakhulu ngaleso sikhathi, UGustavo DudamelKuleyo nqubo, idokhumentari ikwenza kucace ukuthi kubo umculo awuyona into yokunethezeka noma ukuzijabulisa nje: uyisiphephelo, umsebenzi, ukumelana, futhi ngaphezu kwakho konke, ithemba.
Amaqiniso ayisihluthulelo kanye nomongo wedokhumentari
Ingoma yezandla Kuyidokhumentari ende enezici eziningi, ukukhiqiza ngokubambisana kweSpain neMelika okunobudlelwano obuqinile baseVenezuela, okuhlola ukuhlangana kwe-cinema, umculo, kanye nokukhubazeka kokuzwa. Isisekelo sayo silula ukusichaza kodwa siyinkimbinkimbi ukusenza: ukukhombisa ukuthi iqembu labaculi abayizithulu lisebenzisa kanjani umsebenzi ongcwele womculo wakudala futhi liwuhumushele olimini olubonakalayo kuphela.
Le filimu iqondiswe futhi ibhalwe ngu UMaria ValverdeUmlingisi ozalelwe eMadrid, oqala ukuqondisa amafilimu akhe lapha, ukhetha indlela esondelene, yokubuka, neyomzimba kakhulu. Ugwema ukuphawula okunzima kanye nezindaba ezichazayo, ekhetha ukuvumela imizimba, izandla, nokuthula kuzikhulumele. Lokhu kukhetha okuhle kubonakala kuzo zonke izithombe futhi kunikeza idokhumentari ubuntu obuhlukile ngaphakathi kohlobo lwamafilimu mayelana nomculo nokukhubazeka.
Ezingeni lezimboni, itheyiphu iyi- ukukhiqiza ngokubambisana phakathi kweSpain ne-United Statesabanezimpande eziqinile eVenezuela. Izinkampani eziyinhloko ezihilelekile yilezi I-MOOSE ESEMINYAKA YAKHE YAMASHUMI AMANE, I-SLU (eyaziwa nangokuthi i-Forty Entertainment), eseSabadell (eBarcelona), kanye ne-American I-Quinchoncho LLCbaxhumene ngqo noGustavo Dudamel noValverde uqobo. Baqala ndawonye ukukhiqizwa kwephrojekthi eyaqoshwa cishe unyaka. CaracasILos Angeles nezinye izindawo zaseVenezuela.
Ngesikhathi esicishe sibe I-90-92 minutosIdokhumentari iwela ngaphakathi kohlobo lwe-cinema yomculo neyezenhlalo, igxile kakhulu ku- ukukhubazeka kokuzwa kanye nokubandakanywa kwamasiko. Ukuthwebula izithombe kwenziwa ngu U-Andrea Mezquida-Torrentumsebenzi wakhe uyisihluthulelo sokuvumela umbukeli ukuthi "abone" umculo ngokukhanya nangokunyakaza. I-soundtrack ibhalwe ngu UNascuy Linaresokumele lapha kuhambisane nokuba khona okuqhubekayo - okungacacile noma okucacile - komculo we Beethoven.
Esikrinini, ngaphezu kukaDudamel, okulandelayo kuvelele njengabalingiswa abaphambili: UJennifer Gonzalez, UGabriel Linarez y UJosé Gabriel Abarca, abaculi abathathu abayizithulu abayingxenye yesibonakaliso Ikwaya Yezandla EzimhlopheUkuba khona kwabo kuyinjini yangempela yemizwa yendaba: izimpilo zabo zansuku zonke, ukungabaza kwabo, amaphupho abo, kanye nezingxabano zabo zangaphakathi kuyimbangela lapho konke okunye kuzungeza khona.
Isifinyezo Eside: Kusukela Ekuzilolongeni Kuya Esitejini
Indawo yokuqala yokulandisa Kusobala: kumenyezelwa iphrojekthi yobuciko enesifiso esikhulu, ukuhlelwa kwayo UFidelioI-opera kaBeethoven kuphela, enguqulweni eguqulelwe ukuba idlalwe ngolimi lwezandla ngabaculi abayizithulu. Kuyinselele enkulu yobuciko kanye neyokuhamba, kodwa futhi kuyisenzo sokunika amandla nokubonakala emphakathini wezithulu.
Idokhumentari ilandela inqubo kusukela ekuqaleni: ukukhethwa kwabadlali Ngaphakathi kwe-White Hands Choir, ifilimu ithwebula ukusabela kwabakhethiwe—uJennifer, uGabriel, noJosé—inhlanganisela yentshiseko, ukwesaba, kanye nomthwalo wemfanelo ovuswa yizindaba kubo, kanye nokuqala kokuzijwayeza. Kunokubaveza njengamaqhawe aphelele, ikhamera izivumela ukukhombisa ukungabaza kwabo, ukungazethembi kwabo, kanye nobuthakathaka bezinto ezibonakalayo zokuphila kwabo kwansuku zonke.
Kanye nezikhathi zomsebenzi womculo, ifilimu igxila ku izimpilo zabo zansuku zonkeSibabona bepheka ezitofini zesikhashana ezisekelwe ezitini, benikeza ama-CV ezitolo ezinkulu zomakhelwane, bephila ngezindlu eziphansi, futhi bebhekene nokungaqiniseki kwemisebenzi kanye nobunzima bezomnotho obugcwele izimpilo zabo. Izikhathi zomndeni eziseduze nazo ziyavela, njengokulindela ukufika okusha, okwembula uhlangothi olunobuntu nolungagxilile kakhulu empilweni yabo.
Ikhamera ilandela intuthuko yephrojekthi kusukela ekuzilolongeni kokuqala—okugcwele ukulungiswa, ukukhubeka, kanye nokutholwa okuncane—kuya ezethulweni ezindaweni ezahlukahlukene njengeshashalazi eCaracas noma endaweni emangalisayo I-Walt Disney Concert Hall evela eLos Angeles. Kulolo hambo, idokhumentari ayigcini nje ngokulandisa ngomzamo wobuciko, kodwa futhi yembula umehluko phakathi ukuziqhenya kwesiko eliphakeme Futhi iqiniso elibuhlungu labadlali abathi, naphezu kokusebenza ngokuzinikela okuphelele, babona ukuthi ukuqashelwa kwezomnotho kuhamba kancane kangakanani.
Ephuzwini elibalulekile endabeni, umbukeli uthola ukuthi, phakathi nengxenye enkulu yaleyo nqubo, Umsebenzi wabalingiswa abaphambili uye wasekelwa cishe njengesenzo sokholo.Kungukuzibophezela kwezobuciko kanye nomsebenzi ohlanganyelwe, okungaphezu komsebenzi okhokhelwayo. Kuphela ngemva komthelela nempumelelo yemidlalo yabo lapho kwavezwa khona ukuthi bazoqala ukukhokhisa ngomsebenzi wabo—imininingwane ethoba ithoni yethemba ngombono obalulekile mayelana nendlela izikhungo zamasiko ezihlobana ngayo nokufakwa.
Ukuhlaziywa kwefilimu: ukubuka, isimo kanye nolimi olubonakalayo
Ukuqoshwa kukaMaría Valverde Kugwema isilingo sokwenza idokhumentari echazayo noma efundisayo. Esikhundleni sokusebenzisa izingxoxo zakudala, izihloko, noma izwi ukuze ahlele yonke into, umqondisi ukhetha isitayela esiseduze... i-cinema yokubukaIkhamera ibekwe njengohlobo "lokundiza odongeni": ibuka, ilinde, ithwebule izikhathi, futhi ivumele iqiniso livele phambi kwelensi ngaphandle kokuphazamisa okungaphezu kwalokho okudingekile.
Le ndlela idinga izinga ukwethembana nokusondelana nabalingiswa abaphambili Lokhu akujwayelekile neze. Ithimba lamafilimu lincane, okuvumela ukuba khona kwekhamera kubuyele esimweni sayo kuze kube yilapho cishe iyingxenye yemvelo yendawo. Ngale ndlela, imindeni igcina ihlanganisa iqembu ekuphileni kwayo kwansuku zonke, okuvumela ukuqoshwa kwezigcawu zemvelo kakhulu nezingokomzwelo ezingabonakali ziphoqelelwe.
isithombe se U-Andrea Mezquida Idlala indima ebalulekile ekwakhiweni kwencazelo. Ngakolunye uhlangothi, isebenza ngezithombe eziseduze kakhulu nemizimba, ikakhulukazi ekuzilolongeni nasekwenzeni: izandla, izingalo, imizimba kanye nobuso Baba ngabalingiswa abaphambili ngokuphelele, ngoba yibona abaphethe ulimi lwezandla kanye nokubonakaliswa kwemizwelo. Umzimba wonke uyingxenye yomculo futhi uyingxenye yawo.
Ngakolunye uhlangothi, ifilimu isebenzisa umehluko obonakalayo phakathi kwezikhala ezahlukene. izindawo zasekhaya zaseCaracas Zigcwele ukukhanya okubandayo, okuvame ukuchazwa yibhalbhu eyodwa elenga ophahleni, kanye nophahla olungabonakali kahle oluvumela umbala oluhlaza okotshani kanye nesimo esicacile. Ngokuphambene nalokho, amathiyetha namahholo ekhonsathi abonakala egcwele ukufudumala, ngemibala yokhuni, umhlophe othambile, kanye nokukhanya okuhlelwe ngokucophelela okuvusa umhlaba obonakala uhlelekile, ofinyeleleka kubantu abambalwa abakhethiwe kuphela.
Lokhu kubili akulona iphutha: ngendlela elandisayo iqinisa ibanga phakathi kwezimpilo zansuku zonke zabalingiswa abaphambili kanye nomhlaba "osemthethweni" womculo weklasikhi. Ukulungiswa kombala, okwenziwe ngokubambisana no-Ignasi González, kugcizelela lo mehluko ngaphandle kokuwuguqula ube yimifanekiso ehlekisayo. Inhloso iwukuba umbukeli azizwe ngokomzimba lokho kugxuma phakathi kwesimo esibucayi nesinobumnene, phakathi kwekhaya elibuthakathaka kanye nesiteji esikhazimulayo.
Ngokuphathelene nekhamera namalensi, ithimba lisebenzisa ukucushwa okuhlukile kuye ngomongo. ELos Angeles, isibonelo, basebenza ne-Canon C300 kanye ne-Sigma High Speed zooms, kanti eVenezuela basebenzisa imizimba efana ne- I-Alexa Mini noma i-Amira isivele isondeza i-DZO. Ngobuchwepheshe, lezo ezithandwa kakhulu yizo Izithombe eziphakathi nendawo nezinde ngekhamera ephathwayoLokhu kunikeza amandla kanye nokudlidliza okuthile ngokomzimba esithombeni, okuhambisana kakhulu nomqondo womculo obonakala emzimbeni kunasendlebeni.
Inselele eyengeziwe ukuthi, lapho usebenza nabantu abayizithulu, kubalulekile ukuhlonipha insimu yakho yombonoI-engeli yokubona kwabo ayikwazi ukuvinjelwa, ngoba ukuxhumana okubonakalayo kuyaphazamiseka. Lokhu kudinga ukwakheka kwesithombe okucophelela kakhulu, lapho isithombe esibuyela emuva siba nokubaluleka okukhulu njengoba singenakuthembela emsindweni ongaphandle kwesikrini. Ngakho-ke, ukuhlela kufanele kuhambisane indaba ecacile ebonakalayo, lapho isenzo ngasinye sizwakala khona futhi yonke impendulo iqoshwa.
Ukulalela ngomzimba: ukwelashwa komsindo nomculo
Enye yamandla amakhulu kakhulu edokhumentari Kumayelana nendlela umsindo—noma ukungabikho kwawo—osetshenziswa ngayo ukucwilisa umbukeli endleleni yokubona yabalingiswa abaphambili. Akukhona nje ukwehlisa ivolumu ngezikhathi ezithile, kodwa kumayelana nokudlala ngomsindo wezigcawu ukuze kushintshwe umbono usuke ezweni lokuzwa uye endaweni yonke yezinzwa zomphakathi wezithulu.
Ngezilandelaniso eziningana, umsindo wehla waba imisindo ethule, ukudlidliza, noma ukuthula okudeKunokuba nje kube yiqhinga, leli cebo lisiphoqa ukuba sibheke izinto ngendlela ehlukile: okubalulekile akukhona lokho esikuzwayo, kodwa lokho esikubonayo emizimbeni, ekucindezelekeni kwemisipha, ekuhlanganiseni kwezandla, noma ekubukeni okuhlanganayo ukuze kugcinwe isikhathi.
Umculo we Beethovenfuthi ikakhulukazi lokho UFidelioKubonakala sengathi kuyindawo ezungezile kunokuba khona njalo. Akudingeki ukuzwa zonke izindima ze-opera; kwanele ukuziphakamisa, ukuzibonisa, ukuvumela umbukeli aziqedele ngengqondo, kuyilapho ifilimu ibonisa indlela abaculi abavumelanisa ngayo ngezibonakaliso ezibonakalayo kanye nokudlidliza okudluliselwa phansi, emoyeni, noma ukuxhumana neminye imizimba.
Umnikelo we UNascuy Linares Iphelelisa lezi zinto ngaphandle kokuzinqoba noma ukuncintisana ne-opera uqobo. Umculo wayo usebenza cishe njengomsinga ongaphansi ocashile ohambisana nomzwelo, ngaphandle kokuguqula indaba ibe yi-carousel yokuchuma okumangalisayo. Umphumela uba umklamo womsindo ofuna uzwela nokuqonda kwezinzwa okungaphezu nje kombukwane.
Le ndlela futhi inomqondo wokuziphatha: esikhundleni sokusebenzisa ubuthulu njengezaba zokuhlola okubandayo nokusemthethweni, idokhumentari Kubeka ubuchwepheshe ekukhonzeni ulwazi lwabalingiswa abaphambili.Umbukeli akabuki ngaphandle; umenywa ukuba athathe indawo yakhe ngezinye izikhathi ukuze abone umhlaba ngezinye izilinganiso.
Abalingiswa, ubukhulu bomphakathi, kanye nomyalezo ongokomoya
UJennifer, uGabriel noJosé Baphatha indaba ngendlela yemvelo eqeda amandla. Ngamunye uphethe indaba yakhe yobunzima, usizi, ukungathembeki, namaphupho angagcwaliseki, kodwa idokhumentari igwema ukuwaphatha "njengamacala" noma izibonelo zokunqoba ubunzima ngenkani. Bangabaculi, abangani, izingane, abalingani, abantu abaphikisanayo, abakhungatheka, abaphuphayo, futhi abenza amaphutha, futhi yilo kanye umbono ongewona owobaba obanikeza ukujula.
Izimbazo eziningana ezihambisanayo ziyahlangana emizileni yazo: ukukhubazeka, ubumpofu, ukubandlululwa emphakathini, umndeni, ubungane, umsebenzi wobuciko kanye nokufuna ubuwenaIzwe lomculo we-classical, abawufinyelela kancane futhi njalo ngomzamo omkhulu, livezwa njengendawo yokuhlonishwa, kodwa futhi neyokuphikisana okukhulu. Ifilimu ayigxili enkulumweni yezepolitiki, kodwa ivumela umehluko phakathi kokunethezeka kwezinye izindawo kanye nokuntuleka kwansuku zonke kwezindawo zaseCaracas ukuthi zikhulumele zona.
Lokhu kungezwani phakathi kobuciko nokungabi naso isikhathi kuphakamisa imibuzo engakhululekile: Ukufakwa kungokoqobo kangakanani hhayi nje isenzo esingokomfanekiso?Kungani iphrojekthi enezidingo zobungcweti eziphakeme kangaka ithathe isikhathi eside kangaka ukuqaphela ngokwezimali umsebenzi wabalingiswa bayo abaphambili? Ugqozi luphela kuphi futhi ukugxeka kwezakhiwo ezithile zamasiko kuqala kuphi? Ngaphandle kokugcizelela ngokweqile, ifilimu isikisela ukuthi kukhona okuthile "okuyinganekwane" okubekwe esinqumweni, ukuthambekela kokufihla ubukhali bempilo yansuku zonke ngemva kwempumelelo esiteji.
Kodwa eceleni kwalowo mbono ogxekayo kukhona umyalezo ongokomoya nowobuntu ngokujulileHhayi ngomqondo oqinile wokuvuma izono noma wenkolo, yize le dokhumentari ikhuluma ngokungaqondile ngezihloko ezifana nokudlula, ithemba, ukuhlengwa komuntu siqu, kanye nesithunzi esingokwemvelo sayo yonke impilo. Ingokomoya lapha lisekelwe... amandla obuciko aguqulayo, ngamandla ayo okunikeza incazelo, umphakathi, ngisho nensindiso engokomfanekiso kulabo abahlanganyela kukho.
Kumphakathi wezithulu, ikakhulukazi kulaba baculi abathathu, umculo uba yinto ejabulisayo. indlela yokuzazi nokuziqinisekisaBayayeka ukuzibona—futhi babonakale—njengabantu “abaswele okuthile,” esikhundleni salokho baziveza nje njengabaculi abanolimi lwabo oluhlukile. Kule nqubo, ubuciko busebenza njengendawo lapho bebuyisana khona nemizimba yabo, ngamazwi abo athulisiwe, kanye nokubuka kwabanye, bethola indawo emhlabeni ongencikile esihawu, kodwa enhloniphoni.
Ukuba khona UGustavo Dudamel futhi, ezingeni elingokomfanekiso, inkumbulo ka UJosé Antonio Abreu kanye ne-National System of Orchestras of Venezuela, ixhumanisa idokhumentari nesiko lamaphrojekthi amasiko afune ukwenza intando yeningi ukufinyelela kwezobucikoUValverde uthatha lelo fa, kodwa ulidlulisela emphakathini owawubandlululwa kakhulu ngokomlando: owabantu abayizithulu, umculo ovame ukubhekwa njengendawo yangaphandle kubo.
Ekugcineni, Ingoma yezandla Kuphakamisa uchungechunge lwemibuzo ethinta kude kakhulu nomhlaba wokukhubazeka: kuyini ngempela ukulalela?, ubuwena bakheka kanjani uma indlela yakho yokubona umhlaba ingahambisani nenqubo evamile?, ubuciko bungasebenza kangakanani njengethuluzi lobulungiswa bezenhlalo hhayi nje njengomhlobiso walabo asebenakho konke kakade?
Konke lokhu kuchazwa ngombono wokuziphatha ozama ukubuka ngaphandle kokwahlulela, ukuhambisana ngaphandle kokusebenzisa ubuhlungu babanye njengombukwane, futhi ozinikele ethembeni elingelona neze ulwazi: elivela emsebenzini, emphakathini, kanye nasekukholweni ukuthi, ngisho nasendaweni yonke ebuswa umsindo, Ungacula futhi ngezandla zakho.
Ingoma yezandla Ngakho-ke iziveza njengedokhumentari ehlanganisa isiteji esihluzekile nesicabange kakhulu nesizinda esijulile senhlalo nesokomoya, esimema umbukeli ukuthi acabange kabusha ngobuhlobo bakhe nokuthula, umehluko kanye nomqondo wobuhle.