Ukukhuluma nge-"Amador" kuma-cinema aseSpain Kufana nokungena emdlalweni omangalisayo wezibuko: ngakolunye uhlangothi, kukhona ifilimu kaFrancisco Regueiro engaziwa, isihloko esimnyama nesiyingqayizivele sango-60 esimayelana nombulali wesifazane; ngakolunye uhlangothi, idrama yezenhlalo yesimanje kaFernando León de Aranoa, egxile ebuhlotsheni phakathi kwentsha efudukayo nendoda endala evalelwe embhedeni wayo. Imisebenzi emibili ehlukene kakhulu, ehlukaniswe amashumi eminyaka nethoni, kodwa ehlanganiswe ngegama elifanayo kanye nombono oqinile ngesimo somuntu.
Kulesi sihloko sizokwenza ukuhlaziya womabili amafilimu athi “Amador” -ukugxekwa, umongo kanye nabalingiswa - ukusebenzisa nokuhlela kabusha lonke ulwazi olutholakalayo, ukuqonda ukuthi kungani ifilimu kaRegueiro ibhekwa njengesiqephu esiqalekisiwe nesingavamile endaweni yaseSpain nokuthi ifilimu kaLeón de Aranoa iba kanjani i-x-ray yomphakathi mayelana nesizungu, ukufuduka kanye nethemba, ngokushintsha kwezwi okudale impikiswano phakathi kwabagxeki.
"Amador" kaFrancisco Regueiro: isakhiwo, isitayela kanye nomongo
Inguqulo ye-"Amador" eqondiswe nguFrancisco Regueiro Njengoba ihlelwe ngawo-60, empeleni iyincazelo ekhululekile nephikisiwe yenganekwane ye-Bluebeard, eyadluliselwa eSpain yesifundazwe yangaleso sikhathi. Le mbono iyaphazamisa: usomabhizinisi oyenga abesifazane ukuze ababulale, ngaphandle kwesizathu esibonakalayo ngaphandle kwesifiso esicindezelayo sokubhubhisa.
Kule filimu, URegueiro usetha isenzo Esimweni esicindezelayo, edolobheni elincane lesifundazwe lapho konke kuveza khona isimo esicindezelayo ngokokuziphatha, umqondisi wakha isimo esingcolile, ethembele ekubukeni kwefilimu emnyama namhlophe kanye ne-mise-en-scène evinjelwe, kodwa wethula ihlaya elimnyama nelihlekisayo elisebenza njengempikiswano engalindelekile yobudlova bemizwa bendaba.
Umlingiswa ka-Amador ubulala eMadrid Ulibangise eGuadalajara ukuyohlangana nentombi yakhe u-Ana, futhi nakuba bemlindele lapho, ume isikhashana ngaphambi kokuba aye eTorremolinos. Edolobheni elisogwini, ubona imboni yezokuvakasha ekhula ngokushesha, iSpain iqala ukuvulekela umhlaba, kodwa uzithola ehileleke ekubulaweni komunye wesifazane. Phakathi naleso sikhathi, uhlangana noLaura, owesifazane obonakala sengathi ungaba nobuhlobo obuhlukile naye, cishe indlela eya ekukhululweni, kodwa isikhathi sakhe esidlule kanye nesimo sakhe sangempela kuhlala kumhlupha.
Ifilimu ihlelwe ngendlela ezungezayo umlingiswa oyinhloko ongaqondakali kahleAkakwazi neze ukuba nozwela noma ukuba nomusa: ungumbulali ongenangqondo, obandayo, cishe ovamile obulala ngaphandle kwesizathu esicacile futhi ocabanga ngokuzwakalayo ngezinto ezibonakala zincane. Lokhu kuhlanganiswa kobugebengu, ukunganaki, kanye nokuzindla kwangaphakathi kudala umuzwa wokuhlukana okuye kwaba nomthelela ekubizweni kwayo ngokuthi "ifilimu eqalekisiwe" noma "i-rara avis" yesinema yaseSpain.
Imininingwane yobuchwepheshe kanye nabalingisi be-“Amador” (Regueiro)
Ifilimu kaFrancisco Regueiro Iqhosha ngeqembu lobuchwepheshe nobuciko elisezingeni eliphezulu ngesikhathi sayo, okuqinisa isimo sayo njengegugu elifihliwe ngaphakathi kwefilimu yaseSpain yama-60s.
Ikheli: UFrancisco Regueiro, umenzi wefilimu waseValladolid onesitayela sakhe somuntu siqu, ohluke kakhulu emithethweni evamile embonini yamafilimu yaseSpain yangaleso sikhathi. Wayesevele edonsele ukunaka ngefilimu yakhe yokuqala, ethi "El buen amor" (The Good Love), eyayincintisana nePalme d'Or eCannes.
Iskripthi: Ukubhala lesi sithombe-skrini kwakuyindaba ethokozisayo ngempela. U-Angelino Fons, uFrancisco Regueiro uqobo lwakhe, uJacques Lagneau, noManuel López Yubero bonke banegalelo. Lesi sithombe sabhekana nengcindezi eqhubekayo evela ekuvinjelweni kukaFrancoist, okwaze kwafika ezingeni lokuthi vimba izinguqulo ezigcwele zesikripthiukuphoqa umqondisi ukuthi ayibhale kabusha ngokuphindaphindiwe. URegueiro waze wachaza nokuthi kwakungeyona indaba yokusika isigcawu esisodwa, kodwa ukuvimbela yonke into, okwadala inganekwane emnyama mayelana nephrojekthi futhi kwamfaka esikhundleni somqondisi "oqalekisiwe".
Izithombe: Izithombe zikaFrancisco Sempere ezicacile nezimnyama, kanye nokungafani kwazo okucacile, zandisa isimo esingesihle kanye nokuphelelwa yithemba kwabantu bakhe. Ubuhle obufiphele, obungenabo ubuhle, buqinisa lo muzwa wokuphila kwesifundazwe okuvaliwe nokucinana.
Umculo: I-soundtrack, eqanjwe nguDaniel White, inikeza ukuhambisana okuqinile okuhambisana kahle nethoni yefilimu. I-score igcizelela ngobuqili ukungakhululeki kanye nokuphelelwa yithemba okulenga phezu komlingiswa oyinhloko.
Ngokuqondene nabalingisi, "Amador" ithembele eqenjini labadlali abanamandla kakhulu, abanye babo babengabantu ababalulekile kumabhayisikobho aseSpain ngaleso sikhathi:
- UMaurice Ronet Uveza u-Amador, usomabhizinisi obulala izithandwa zakhe. Ukusebenza kwakhe kwakhelwe kakhulu ezwini elikhona yonke indawo lapho umlingiswa ecabanga khona ngemicabango yakhe: isifiso sakhe sokubalekela kwenye indawo, ukwesaba kwakhe ukutholakala, ukucabanga kwakhe ngokuthi abesifazane baseSpain babukeka kahle yini begqoke ama-bikini… Ingxoxo yengqondo, kwabanye abagxeki, eba yinto ekhathazayo futhi ecindezela kakhulu ijubane lefilimu.
- UMaría Luisa Ponte Udlala u-Anti Aurora, owesifazane okhathele, okhulumayo ohlala ekhona empilweni yomlingiswa oyinhloko. Ikhono lakhe lokufaka umlingiswa ezintweni ezihlekisayo nezicasulayo kumenza abe ngomunye wezinto eziqine kakhulu kubalingisi.
- I-Amparo Soler Leal Uvusa uLaura, uthando luka-Amador kuTorremolinos. Ungomunye wabalingiswa abayinkimbinkimbi kakhulu kule filimu: lapho ephuza, lapho ebonisa ubuthakathaka, noma lapho ebonakala enesithakazelo sangempela ku-Amador, umlingisi uyakwazi ukuletha ukujula nobuntu, okuphakamisa ukuthi mhlawumbe ikhona indlela yokuphuma kuye.
- Baqeda ukulingisa Elsa Zabala, José Mª Prada, Yelena Samarina kanye nabanye abadlali besibili abagcwele kule ndawo encane, enobandlululo, futhi eguquguqukayo ngokokuziphatha.
Yakhishwa ngo-1964, isikhathi esingaba yimizuzu eyi-107Le filimu iwela ohlotsheni lwedrama ngokuthinta amahlaya amnyama kanye ne-thriller yengqondo. I-cinematography yayo emnyama namhlophe kanye nendaba engaguquki, eminyakeni edlule, yenze yaba yifilimu yakudala yabathandi bama-cinema aseSpain anesibindi.
Ukwamukelwa okubucayi: "inyoni engavamile" yamabhayisikobho aseSpain
Ngokuhamba kwesikhathi, U-“Amador” de Regueiro ubelokhu ezuza udumo Phakathi kwabathandi bamafilimu nabagxeki, kubhekwa njengomsebenzi ongajwayelekile, obiza kakhulu, futhi ongowomuntu siqu kakhulu. Abanye abahlaziyi bawuchaza njengomunye "wamagugu" alokho okubizwa ngokuthi i-cinema eqalekisiwe yaseSpain, lelo qoqo lamafilimu ayengakhululekile embonini, kubahloli, noma ezilalelini ezivamile.
Uqhathaniswe izikhathi ezingaphezu kwesisodwa no "I-Psycho" ngu-Alfred HitchcockUkuqhathanisa akusekelwe endabeni, kodwa kungatholakala amaphuzu athile okuxhumana: umbulali ophila impilo ebonakala ijwayelekile, ubudlelwano obuphambene nelungu lomndeni (kulokhu, u-anti wegazi), kanye nokuba khona kwengqondo ephazamisekile engachazeki ngendlela enengqondo. Kodwa-ke, abanye ochwepheshe bakhomba ukuthi, esikhundleni sikaHitchcock, ifilimu isondelene kakhulu nesitayela kanye nendlela esondela ngayo emisebenzini yakamuva efana ne-"Las horas del día" kaJaime Rosales (The Hours of the Day), lapho ubudlova buphinde buboniswe khona ngokubandayo nangokucacile.
Esinye sezici okuxoxwa ngazo kakhulu Kuwukusetshenziswa kwezwi lomlingiswa oyinhloko. Nakuba inikeza ukuqonda ezweni lakhe langaphakathi futhi igcizelela isimo somlingiswa sokuzikhukhumeza, abanye abagxeki banomuzwa wokuthi kuba yinto ekhona yonke indawo futhi ekhathazayo, njengoba kungekho senzo esingaphezu kobugebengu kanye nemicabango yakhe ephindaphindayo. Ifilimu isekelwe kulokhu kungafani phakathi kwendaba lapho "cishe kungenzeki lutho" kanye nobudlova obuqhuma ngendlela evinjelwe, cishe ethambile.
Umbono ewunikezayo ngesimo somuntu uwukuthi ukuphelelwa yithemba okukhuluUmlingiswa oyinhloko ubulala ngaphandle kwenhloso ecacile, ngaphandle kwenhloso yokusiza, cishe ngenxa yomkhuba. Akukho sijeziso esilula sokuziphatha noma sencwadi esisibonelo, kodwa kunalokho isithombe sobubi nokungabi nalutho kwangaphakathi. Le ndlela, engeyinhle futhi ekude kakhulu nendaba esemthethweni yangaleso sikhathi, ichaza okunye kokungakhululeki okwadalwa ngaleso sikhathi.
Uma kubhekwa konke, igama elithi “Amador” lisebenza njenge igiya elinembile kakhululapho ithoni, isimo esicindezelayo, kanye namahlaya amnyama bha kuhlangana ndawonye njengezingcezu zephazili elibi. Yingakho abanye ochwepheshe beyibheka njengefilimu ephawulekayo, yize isalokhu ingumsebenzi okhethekile futhi ingavamile ukubonwa ngaphandle kwemibuthano yama-cinema.
"Amador" kaFernando León de Aranoa: isakhiwo nezindikimba
Emashumini eminyaka kamuva, igama elithi “Amador” libuyela emabhayisikobho aseSpain ngefilimu ehluke ngokuphelele, eqondiswe nguFernando León de Aranoa. Lapha umlingiswa wesilisa oyinhloko yindoda esikhulile, egulayo, futhi elele embhedeni, futhi isisindo esimangalisayo siwela kumuntu osemncane wasePeru oqala ukusebenza njengomnakekeli wakhe.
UMarcela, okwenziwe nguMagaly SolierUshade noNelson, naye ongumPeru, ohileleke ebhizinisini lezimbali elingekho emthethweni eSpain. Ubuhlobo babo busematheni: akaqiniseki ngomshado wakhe, unesizungu esikhulu, futhi ukhulelwe kodwa wesaba ukutshela umyeni wakhe. Wayekhulelwe ngaphambili, futhi bobabili bakhetha ukukhipha isisu, ngakho lokhu kukhulelwa kuthwala umthwalo onzima ngokomzwelo.
Phakathi nalesi simo, uMarcela uthola umsebenzi ukunakekela u-Amador, indoda esikhulile eyayilele embhedeni Nakuba umndeni wakhe uya ogwini lonke ihlobo ukuyokwakha indlu encane, isivumelwano sicacile: uzohlala naye, amphelezele, amondle, futhi amsize ngezidingo zakhe zansuku zonke; ngokubuyisela, uzothola imali ayidingayo ngokushesha ukuze aphume esimweni sakhe sezezimali.
Njengoba izinsuku zihamba Ubudlelwano buyathuthuka phakathi kukaMarcela no-Amador. ukuhambisana okungalindelekile. Naphezu komehluko wezizukulwane kanye nezimo, bobabili babelana ngesizungu esikhulu. Kancane kancane bafunda ukwazana, baba ngabantu ngokwengeziwe lapho bekhona, batshelana izinto abangase bangalokothi bazisho komunye umuntu.
Lapho nje kubonakala sengathi inqubo isendleleni, Kwenzeka okungalindelekile: U-Amador uyafaLapha ifilimu ishintsha indaba ngendlela ephawulekayo. UMarcela, eqaphela ukuthi uyidinga kakhulu imali ethenjiswe umndeni, unquma ukufihla ukufa kwendoda endala bese enza sengathi usamnakekela. Uhlala lapho, egcina ukubonakala, njengokungathi akukho okwenzekile.
Kusukela kuleli qophelo kuqhubeke, indaba ishintsha phakathi Idrama, ihlaya elimnyama, kanye nohlobo lwenganekwane yokuziphathaKusehlobo, kushisa, izinsuku ziya ngokuya ziba zinde futhi isimo siya ngokuya sinzima ukusilondoloza: iphunga, ukuvakasha, izingcingo, omakhelwane abathukuthele, isifebe esasivame ukubona u-Amador, umpristi wesifunda… zonke lezi “zingcezu” ziyaqhubeka zingena ziphuma, zenza kube nzima ukukhohlisa uMarcela akumisile.
Ngakho-ke ifilimu ihlola izindikimba ezihambisana kakhulu noLeón de Aranoa: isizungu, ubunzima bezomnotho, ubunzima bokwakha umndeni, ubuthakathaka babantu abavela kwamanye amazwe, ukuntuleka kothando lwangempela emindenini ethile kanye nesidingo sokuthola injongo ekuphileni phakathi kwendawo engathandeki.
Isingathekiso sephazili kanye nezihluthulelo ezingokomfanekiso
Esinye sezici ezihlaba umxhwele kakhulu kule filimu iphazili u-Amador alihlanganisayo phakathi nezinsuku eziningana. Leso sithombe sephazili asiyona nje into yokuzilibazisa yendoda endala: sisebenza njengesifaniso esiyinhloko sendaba.
Iphazili imele umzamo wokuhlela izingcezu zokuphilaKumayelana nokuhlanganisa izikhathi, izinqumo, kanye nemiphumela ukuze kufezwe isithombe esiphelele kakhulu ngangokunokwenzeka. Njengasephazilini, ezinye izingcezu zihlangana ngokushesha, kuyilapho ezinye zibonakala ziphinda, njengalezo ziqephu zesibhakabhaka ezingahlukaniseki komunye nomunye. UMarcela no-Amador, ngezimpilo zabo eziphukile kanye nokukhungatheka, bazama ukuhlanganisa into efana nesithombe esihambisanayo.
Njengoba ihunyushwe ngendlela yesakhiwo sesikrini, lesi sifaniso sisebenza ngokungalingani: abanye abagxeki bakholelwa ukuthi indaba ingena esigabeni sokuma lapho kuphakanyiswa ukuzenzisa kukaMarcela. Kusukela ngaleso sikhathi kuqhubeke, indaba ibonakala incike ekulandeleni kwezinto eziphindaphindwayo: ukubonakala "kwenkosazana" (isifebe esivuthiwe esasivame ukuvakashela u-Amador), izingxoxo nompristi esontweni, ukungezwani kwezingcingo ezihlala zishaya, omakhelwane abasolisayo...
Ngokusho kwabanye abahlaziyi, Lezi zinhlelo zifana nezingcezu zesibhakabhaka eziphindaphindwayo Njengephazili, zinikeza umbono wokuhamba ngaphakathi kwesikhala esifanayo esimangalisayo ngaphandle kokuthuthuka kakhulu. Kodwa-ke, abanye bathi lesi sigqi esihamba kancane nesiyindilinga kancane sibonisa ngokunembile umuzwa wokuvalelwa kanye nokundiza okuhamba phambili uMarcela abhekana nakho, ebhajwe emanga akhe.
Ngenhlanhla, abaningi bayavuma ukuthi Ifilimu inesiphetho esinamandla, ekwazi ukulinganisela ezinye zezinkinga zokulandisa zesigaba esiphakathi. Isiphetho sethula umthamo ongalindelekile wethemba, cishe ushintsho lwethoni, olulungisa kabusha incazelo iyonke yefilimu.
Ukuvela kukaFernando León: kusukela ebuhlungu kuya ethembeni elimangalisayo
Ukuze uqonde ukwamukelwa okubucayi kwe-"Amador", kubalulekile bheka yonke ifilimu kaFernando León de AranoaUmsebenzi wakhe wezincwadi eziqanjiwe waqala nge-"Familia" kanye ne-"Barrio", izihloko ezimbili ezazihlanganisa uphawu oluqinile lomphakathi kanye nehlaya elingavamile kanye namandla akhe, yize kakade ayegcwele ukudabuka okuthile.
Kwabe sekufika “NgoMsombuluko Elangeni”, okucatshangwa ngabaningi umsebenzi wakhe wobucikoNjengoba uJavier Bardem ethula omunye wemidlalo yakhe emihle kakhulu, egxile ezweni lokungasebenzi kanye nabantu abangaphansi kwemithetho yasemadolobheni, ithoni yahlala inobuntu futhi ihlobene, kodwa ingathi sína kakhulu, inombono ongemuhle. Njengoba "amaPrincesa," egxile empilweni yezifebe ezimbili, ibhalansi yaqhubekela phambili embonweni obuhlungu, futhi abagxeki bahlukana: abanye babona izinkondlo eziseduze; abanye, ukugxila ngokweqile.
Ngalo lonke lolo lwazi, "Amador" kwabonakala sengathi uqala indlela emnyama nakakhuluUkuqala kwefilimu kulukhuni: abalingiswa abadabukile, cishe abangenakho ukumamatheka, isimo sokunqotshwa ngokomzwelo. Umqondisi ngokwakhe ubonakala ephinda izihloko namaphethini emisebenzini yakhe yangaphambilini: umfuduki onakekela indoda endala uletha amazwi akude e-"Familia"; amafulethi asebenzayo akhumbula i-"Barrio"; ukungabi nathemba kanye nokungasebenzi kuvumelana ne-"Mondays in the Sun"; ubudlelwano phakathi kwabesifazane abanezimpilo ezinzima kakhulu buxhumene ne-"Princesas."
Nokho, njengoba UMarcela no-Amador bachitha amahora amaningi ndawonyeLe filimu isuka kancane kancane endleleni yayo yokuxhumana nabantu kuphela, ingena endaweni engakacaci ngaphakathi komsebenzi womqondisi. Abanye abagxeki baphawule ithonya lesinema yaseSpain yakudala kusukela ngawo-50 nawo-60, enomuzwa ofana nowaseBerlanga ekuhlanganiseni kwayo idrama yabantu kanye nezimo ezingenangqondo noma ezishaqisayo.
Kufika isikhathi lapho "u-Amador" khetha umphumela ocacile Lokhu kuphenduka, abanye abakubheka njengokungazelelwe noma okuphuthumayo, akulindelekile, njengokungathi indaba ishintshiwe cishe ekugcineni. Lesi sinyathelo siphula ithoni efanayo neyokungathembi eyayibonakala ichaza ifilimu kusukela ekuqaleni, kodwa futhi ikhulula ifilimu kwezinye izithiyo, okwenza ingaqini kakhulu futhi ivuleke kakhudlwana.
Ngakho-ke, abahlaziyi abaningana bayavuma ukuthi, nakuba kungeyona ifilimu yakhe ephucuke kakhulu noma entsha kakhulu, Lona cishe umsebenzi kaFernando León onethemba elikhulu kunayo yonke.Futhi, ngokusho kwabanye, kwakuyinto umqondisi ngokwakhe ayeyidinga: ukuthola kabusha umbono ovulekile ngethemba, ngaphandle kokulahla ukukhathazeka kwakhe ngezinkinga zomphakathi.
Abalingisi nabalingiswa be-“Amador” (León de Aranoa)
Enye yamandla amakhulu ale nguqulo yesimanje ye-"Amador" Abalingisi bayo, abaholwa ngumdlali we-actress oletha ubuqiniso obukhulu.
- I-Magaly solier Udlala uMarcela, umfuduki wasePeru osemusha okhulelwe. Esanda kuphumelela nge-"The Milk of Sorrow," udlala ngendlela emangalisayo yemvelo lapha. Ukuthula kwakhe, ukubuka kwakhe, ukudabuka okuqhubekayo komlingiswa—konke kunegalelo ekuzihlanganiseni kwezilaleli naye, ngisho nalapho enza izinqumo ezingabazekayo ngokokuziphatha.
- Celso Bugallo Uvusa u-Amador, indoda endala elele embhedeni. Abadlali bakhe abalingiswayo abayona ingozi: kubabukeli abaningi, lo mlingisi uhlotshaniswa noRamón Sampedro ku-"The Sea Inside," futhi lapha uphinde abonise indoda engashukumi, ethembele, kodwa enempilo yangaphakathi ecebile. Ezigcawini zakhe noMarcela, uBugallo uyakwazi ukugcina isithunzi salo mlingiswa, emnikeza ububele ngaphandle kokusebenzisa imizwa ephansi.
- Zibazungezile zihamba isethi yezinhlamvu zesibili ezichazwe kahle kakhulu: Umndeni ka-Amador, ukhathazeke kakhulu ngamaholide abo asehlobo kanye nendlu yabo encane ogwini lolwandle kunokuphila kwansuku zonke kwendoda endala; uNelson, umyeni kaMarcela, wagxila ebhizinisini eliseduze futhi ngaphandle kwephrojekthi yomndeni ehlanganyelwe; isifebe esivuthiwe, uMarcela agcina izingxoxo ezinhle nezinobuntu naye; umpristi umlingiswa oyinhloko axoxa naye ngokufa nokuziphatha; kanye nomakhelwane abaningana nabalingiswa abavela komakhelwane abaqedela le ndawo yomphakathi.
Ifilimu incike ku- ezinye izingxoxo ezibhalwe phansi kakhuluMhlawumbe ngezinye izikhathi kukhuluma kakhulu, kodwa futhi kuhlelwe ngokucophelela. Kukhona ukuxoxisana okunengqondo kakhulu, ikakhulukazi phakathi kukaMarcela nesifebe esavakashela i-Amador, okukhuluma ngokukhululekile ngezihloko ezifana nomndeni, uthando, ubumpofu, ubumama, kanye nokholo.
Bonke laba balingiswa, abahlukunyezwe impilo, bakha i-mosaic yomuntu okunzima ukungayithandaNakuba indaba eyinhloko ingacacile ngamagama angokoqobo—futhi abagxeki bakubonisile lokhu—okubalulekile lapha akukhona kakhulu ukuthi indaba ingenzeka kodwa yilokho esivumela ukuba sikusho ngesithunzi, ubuhlungu, kanye nokufuna incazelo.
Ukufundwa kwezihloko: isizungu, ubumama, ukufuduka kanye nokholo
Ngaphandle kwe-anecdote yesakhiwo sayo, "Amador" kaLeón de Aranoa Isebenza njenge-X-ray yezenhlalo yesikhathi sayoNakuba kuhlungwe ngenganekwane ecishe ibe yimbi kakhulu. Isizungu siwuchungechunge oludlula kukho konke: isizungu sabantu asebekhulile abakhohliwe yimindeni yabo, isizungu sowesifazane ofudukayo ongazizwa eqondwa umlingani wakhe, isizungu sabantu abasebenzisa izinto ezithatha indawo yenjabulo ukuze bagcwalise isikhala.
Ubumama buvezwa njengo okuhlangenwe nakho okugcwele ukwesaba Futhi ukungabaza. UMarcela uphila ukukhulelwa kwakhe ngasese, ngaphandle kokusekelwa kwangempela ngumyeni wakhe, ngaphandle kokuvikeleka kwezomnotho, ngaphandle kohlelo olucacile lokuphila. Isinqumo sakhe sokufihla ukufa kuka-Amador sihlobene ngqo nokwesaba ukungakwazi ukusekela ingane yakhe engakazalwa.
Ukufuduka akubonakali njeyinkinga eyedwa, kodwa njengoba isimo sobuthakathakaLo mlingiswa oyinhloko uhlala kwelinye izwe, enamanethiwekhi ambalwa okusekela, echayeke kakhulu ekuhlukunyezweni kwabasebenzi kanye nesizungu esingokomzwelo. Ubuhlobo bakhe nesifebe, omunye wesifazane osindayo nganoma iyiphi indlela angakwazi ngayo, bubonisa ubudade phakathi kwalabo abahlala emaphethelweni.
Kukhona nendawo ukucabanga ngokufa nenkoloIzingxoxo esontweni phakathi kukaMarcela nompristi azinikezi izimpendulo eziqondile, kodwa ziphakamisa imibuzo engakhululekile mayelana nesithunzi ekupheleni kokuphila, umuzwa wecala, intethelelo, kanye nendima yokholo lapho izinto ziba zimbi kakhulu.
Ngamafuphi, yize indaba eyinhloko ingenangqondo ngamabomu futhi ingenakwenzeka—cishe njengendaba yokuziphatha ephikisiwe— Inani lefilimu lisekuyo yonke into eyizungezile.: ngendlela aveza ngayo abalingiswa bakhe, ezindikimbeni aziphakamisayo, nangendlela eqotho, ngezinye izikhathi engavuthiwe kodwa ehlala iwubuntu, abhekana ngayo nabo.
Uma kuhlanganiswa, igama elithi “Amador” lihlanganisa amafilimu amabili Akukho okufana ngakho endabeni nasesitayeleni, kodwa banesithakazelo esijulile ohlangothini lwesintu olungathandeki. Ifilimu kaRegueiro iyisenzo esimnyama kuma-cinema enkolo, indaba yokubulala kanye nokungabi nasimilo okuqoshwe ngombala omnyama nomhlophe futhi kugcwele amahlaya amnyama; ekaLeón de Aranoa iyinganekwane yesimanje, kusukela ekujuleni kwesizungu kanye nosizi olungokomzwelo, enesibindi sokufuna ukukhanya kwethemba. Ndawonye, bakha i-diptych ethakazelisayo ngesifiso sokushintsha impilo yomuntu, isisindo secala, kanye nesidingo sokuhlanganisa izingcezu zephazili yokuphila cishe engakaze iphume njengoba bekulindelekile.
